| 0 |
IDENTIFICATION |
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0.1 |
Computer record number |
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| Number automatically generated by the
system |
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0.2 |
Link to other records |
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Number(s) of the records for similar
objects, to manage according to the system
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| 1 |
INSTITUTION(S) |
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1.1 |
INSTITUTION WHERE THE OBJECT DESCRIBED
IS KEPT |
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1.1.1
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Name of the institution |
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Official name of the institution in the
mother tongue, eg musée du Louvre, National Museum, Museo Arqueologico |
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1.1.2
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Location of the institution |
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1.1.2.1 |
Country |
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1.1.2.2 |
Intermediary administrative division,
eg Bouches-du-Rhône, Lazio, Cambridgeshire |
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1.1.2.3 |
Commune, district, borough, eg Marseille,
Roma, Cambridge |
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1.1.2.4 |
Smaller adminsitrative division (hamlet,
locality), eg Ostia |
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1.2 |
INSTITUTION LEGALLY RESPONSIBLE
FOR THE OBJECT |
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Where the proprietary institution is
curatorially responsible for the object, arrange for automatic duplication
from 1.1 |
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1.2.1
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Name of the institution |
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see 1.1.1 |
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1.2.2
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Location of the institution |
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1.2.2.1 |
see 1.1.2.1 |
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1.2.2.2 |
see 1.1.2.2 |
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1.2.2.3 |
see 1.1.2.3 |
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1.2.2.4 |
see 1.1.2.4
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2 |
IDENTIFICATION REFERENCES |
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2.1 |
Inventory number of the work |
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Unique number given by the proprietary
museum |
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2.2 |
References to the stratum (?) |
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2.3 |
Number of the object given on site |
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| 3 |
NAME OF THE OBJECT |
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3.1 |
Category |
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Give the main functional types for the
object, eg funerary object, object for transport |
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3.2 |
Designation |
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3.3 |
Name |
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3.4 |
Details |
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Specify if it is a
fragment, a set, or if the object belongs to a set, eg fragment,
set, part of group
Specify, if applicable, the number of items
in the group
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| 4 |
TITLE - DESCRIPTION - ICONOGRAPHY |
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4.1 |
Title of the work |
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4.2 |
Description |
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4.3 |
Iconographic analysis |
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| 5 |
MATERIAL - TECHNIQUE |
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5.1 |
Material |
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List of materials used in the manufacture
of a 3D object |
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5.2 |
Technique |
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Technique(s) in the manufacture of a
3D object |
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5.3 |
Further information (optional) |
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Clear description allowing the association
of the materials and techniques so as to account for the complexity
of the object |
| 6 |
DIMENSIONS AND FORM |
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6.1 |
Unit |
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Dimensions are normally given in centimetres |
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6.2 |
Height: h |
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6.3 |
Length: l |
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6.4 |
Depth: d |
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6.5 |
Diameter: di |
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6.6 |
Weight: w |
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6.7 |
Form |
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| 7 |
ARCHAEOLOGICAL CONTEXT |
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7.1 |
Manner of discovery |
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Eg chance find, regular excavations
(institution), inventor |
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7.2 |
Place of discovery |
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Eg country, region,
département, district, borough, locality
Also provide precise references for the site, eg
Lambert co-ordinates
Other details, eg grotto, house, square
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7.3 |
Level, layer |
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7.4 |
Significant associations |
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Eg in a hearth, a tomb etc
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| 8 |
AUTHOR AND CULTURAL MILIEU |
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8.1 |
Actual or ascribed author (if known) |
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Eg painter of "Pan" |
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8.2 |
Justification of the attribution |
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Specify the reasons
(signature, literacy sources, style etc) and, if possible, the author
of the attribution
Choose the most usual transcription of Proper Names (possibly add
a phonetic transcription in brackets) |
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8.3 |
Region, style, workshop |
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Eg Seine Oise Marne (Protohistory),
"oriental style" (Greek ceramics), Lazoux (sigillée),
Trèves (coin)
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| 9 |
INSCRIPTIONS AND MARKS |
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9.1 |
"Type" |
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Eg stamped, en exergue, engraved |
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9.2 |
Position |
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9.3 |
Description of transcription |
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9.4 |
Language of the inscription (if
applicable) |
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Indicate the language of
the inscription, the alphabet, the height of the letters etc
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| 10 |
DATE AND EPOCH |
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10.1 |
Dating by year |
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Exceptional: coin, inscription |
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10.2 |
Epoch |
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Dating by millennium, period, reign, century etc, eg
La Tène I, 1stC BC, Thinite Era, Cycladic Middle Bronze
Age
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| 11 |
ACQUISITION |
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11.1 |
Acquisition method |
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Eg purchase, donation, bequest |
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11.2 |
Date of acquisition (by year) |
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11.3 |
Previous owner |
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Give the name of the previous owner of
the work (collector, gallery, institution) prior to its acquisition
by the museum
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| 12 |
STATE OF CONSERVATION |
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12.1 |
Treatment - restoration |
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12.2 |
Analyses |
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